Studying films by Lisandro Alonso, Albertina Carri, Lucrecia Martel, Raúl Perrone, Martín Rejtman, and Pablo Trapero, among others, he identifies a shift in aesthetic sensibilities between these directors and those of the previous generation as well as a profound change in the way films are being made, and their relation to the audiovisual field at large.
In combining close comparative analyses with a review of the changing models of production, editing, actorship, and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.
|Produto sob encomenda||Sim|
|Marca||I B Tauris|
|Ano da edição||2011|
|Número de Páginas||288|