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Nineteenth-Century Transatlantic Reprinting and the Embodied Book (Cód: 9623330)

Jessica Professor DeSpain

Ashgate Publishing, Ltd. (Livros Digitais)

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Nineteenth-Century Transatlantic Reprinting and the Embodied Book

R$449,85

Descrição

Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book'apos;s appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain'apos;s study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works—Charles Dickens'apos;s American Notes for General Circulation, Susan Warner'apos;s The Wide, Wide World, Fanny Kemble'apos;s Journal of a Residence on a Georgian Plantation, and Walt Whitman'apos;s Democratic Vistas—DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.

Características

Peso 0.00 Kg
Produto sob encomenda Sim
Marca Ashgate Publishing, Ltd. (Livros Digitais)
Número de Páginas 224 (aproximado)
Idioma 337
Acabamento e-book
Territorialidade Internacional
Formato Livro Digital Epub
Gratuito Não
Proteção Drm Sim
Tamanho do Arquivo 10583
Início da Venda 28/09/2014
Código do Formato Epub
Cód. Barras 9781472405678
Ano da Publicação 114
AutorJessica Professor DeSpain