Artboard 33Artboard 16Artboard 18Artboard 13Artboard 42Artboard 21Artboard 4Artboard 5Artboard 45Artboard 22Artboard 7Artboard 42Artboard 23Artboard 12Artboard 28Artboard 17?Artboard 28Artboard 43Artboard 49Artboard 47Artboard 15Artboard 32Artboard 6Artboard 22Artboard 5Artboard 25Artboard 1Artboard 42Artboard 11Artboard 41Artboard 11Artboard 23Artboard 10Artboard 4Artboard 9Artboard 6Artboard 8Artboard 7Artboard 3Artboard 12Artboard 25Artboard 34Artboard 43Artboard 44Artboard 16Artboard 24Artboard 13Artboard 5Artboard 24Artboard 31Artboard 1Artboard 12Artboard 27Artboard 30Artboard 36Artboard 44Artboard 9Artboard 17Artboard 6Artboard 27Artboard 30Artboard 29Artboard 26Artboard 2Artboard 20Artboard 35Artboard 15Artboard 14Artboard 50Artboard 26Artboard 14Artboard 40Artboard 21Artboard 10Artboard 37Artboard 46Artboard 33Artboard 8
e-book

"quot;"quot;There is no such thing as a spirit in the stone!"quot;"quot; Misrepresentations of Zimba (Cód: 9672789)

Sicilia,Olga

Universal-Publishers.com (Livros Digitais)

Ooops! Este produto não está mais a venda.
Mas não se preocupe, temos uma versão atualizada para você.

Ooopss! Este produto está fora de linha, mas temos outras opções para você.
Veja nossas sugestões abaixo!

R$ 48,21

em até 1x de R$ 48,21 sem juros

Total:

Em até 1x sem juros de


Crédito:
Boleto:
Cartão Saraiva:

Total:

Em até 1x sem juros de


"quot;"quot;There is no such thing as a spirit in the stone!"quot;"quot; Misrepresentations of Zimba

R$48,21

Descrição

This work focuses on contemporary Zimbabwean Stone Sculpture - widely known until the early 1990s as 'Shona Sculpture' - from the perspective of a critical anthropological analysis of cultural identity and representation. The analysis frames the inception of this art movement within the colonial socio-historical circumstances of its genesis, where discourse about the producers of this art form ('Shona discourse') was created. Drawing from the social context of inequality and racial (spatial) segregation, and from the concepts of the 'primitive' in art and anthropology, the author aims to show how 'Shona discourse' entails a primitivist construction of the Other (i.e., the sculptors' cultural identity) that is directly linked to modernist primitivism. 'Shona discourse,' as a temporalising discourse, situates the producers of so-called 'Shona sculpture' in an extra-ordinary time, the time of 'primitive' myth, magic and cosmology, constituting in this sense a good example of 'allochronic' discourse. Originating within the colonial politics and ideology of the 1960s, and contested by younger generations of sculptors from the 1990s onwards, this discourse was, paradoxically, appropriated by the cultural politics of 'indigenisation' during the early period of the post-independence Zimbabwean State as part of its national identity and heritage.

Características

Peso 0.00 Kg
Produto sob encomenda Não
Marca Universal-Publishers.com (Livros Digitais)
Número de Páginas 123 (aproximado)
Idioma 337
Acabamento e-book
Territorialidade Internacional
Formato Livro Digital Pdf
Gratuito Não
Proteção Drm Sim
Tamanho do Arquivo 812
Início da Venda 01/01/2013
Código do Formato Pdf
Cód. Barras 9781612339368
Ano da Publicação 110
AutorSicilia,Olga